Monday, 24 September 2012

Another Year Begins!

With the University term officially beginning today, the Exeter University Gilbert and Sullivan Society's 45th year in operation is now underway!

We had a lovely time meeting new students during Welcome Week, with our 'Come and Sing' event attracting lots of new faces, and a meet-and-greet society barbecue afterwards giving returning members the chance for a bit of a catch up, as well as giving new students the chance to find out a bit more about the society!

Our stall at the Activities Fair yesterday was looking lovely, with our committee all decked out in their finest green stash – and a spot of green and white bunting hanging up to match! Not to mention the tasty cakes we had to entice over hungry students!

Our audition sign-up sheets are all filled up nicely now, and our directorial team are really looking forward to getting to know the new cast very soon! Rehearsals will be underway for The Sorcerer and The Pirates of Penzance before we know it, and we'll keep you up to date with how that's all going! 

Wednesday, 9 May 2012

Life After Patience

After we have finished a show the cast is normally prone to the Post Show Blues but luckily there are EUGnS events in term three to look forward to. 

Our first post-Patience outing was on the first day of the Easter holidays. EUGnS members that were still in Exeter went to the Musicroom on Sidwell Street, one of our Patience sponsors, and sang as part of their open day. 

As some principals were missing, their parts had to be quickily learnt and sang by other members. A special mention goes to Dan Morris who did a brilliant job singing the part of the Major. The performance also gave us an opportunity to sing songs from past shows, for example "Take a Pair of Sparkling Eyes" from The Gondoliers. We had a lovely time singing at the Musicroom, and can't wait to repeat the experience. 

A new terms means a new committe and the EUGnS AGM took place on  Tuesday 1st May. The AGM was well attended and all the candidates presented their cases well, Rosie Archer in particular, who delievered her self-composed poem, "An Ode to Organisation".

After the speeches votes were cast and the 2012/13 comittee is as follows:

President: Dettie Ellerby 
Treasurer: Daniel Morris
Publicity Officer: Nicola Wilkes
Social Secretary: Penny Caudle
Secretary: Rosie Archer 

left to right: Rosie, Nicola, Daniel, Dettie, Penny

Friday the 4th May was then soon upon us and everyone spent the day preparing for the  EUGnS President's Dinner at the Royal Clarence, Exeter. The event began with a champagne reception with everyone commenting just how lovely the girl's dresses were and how well Andy Henley scrubs up! 

We then went into dinner, a fabulous three course meal, and emerged, rather full, for Tom Scallon's farewell speech. 

And the society was then handed over to next years President. 


The society then took to the floor and danced the night away to The Pookahs. Everyone has a wonderful night with many commenting it had been their favourite President's Dinner yet. Special thanks goes to Alice Massey (Social Secretary 2011-12) for organising the evening. 

Many members of the society are leaving Exeter University this year, and we would like to thank everyone for making our time in the Gilbert and Sullivan Society fantastic. Many of us feel that EUGnS has been the highlight of our University years. 

We would like to wish the remaining members of the Society the best of luck for their future productions. We shall miss EUGnS very much indeed. In the wonderful words of Mad Margaret:

"They sing choruses in public. That's mad enough I think!"
Pictures: Thomas A J Smith 

Saturday, 24 March 2012



7.18pm on Tuesday 6th March. A group of ladies in colourful Grecian dress are nervously chattering behind the curtain, but trouble is afoot. A Love Sick Maiden has gone missing and the Stage Manager is doing all she can to locate her. After much panicking and flapping from the other Maidens and several calls to backstage from the DSM, Saphir is finally located; she was stage left talking to the Assistant Stage Manager. At 7.19 Musical Director Charlie Hughes picks up his baton and the orchestra strikes up. The EUGnS 2012 Northcott Theatre Production finally begins.  

Patience began life in June 2011 when the EUGnS Committee for 2011/12 decided it was to be our March Production. The aesthetic Maidens and Dragoon Guards contrasted well with last year’s Venetian Gondoliers and Spanish Aristocracy. The Director, Dettie Ellerby, Musical Director, Charlie Hughes and Production Team were appointed and planning commenced.

When term began in September the Choreographer, Sheena Drainer was appointed and auditions began for Patience and Trial by Jury. This year was the first time the society has ever attempted two shows in one academic year, which meant double the learning for the cast. Much of term one was dominated by rehearsals for Trial by Jury, but our rehearsal away weekend in Dulverton saw musical progress for Patience. After Trial by Jury, rehearsals for Patience were increased dramatically and the cast went into harmony overdrive making sure that all parts were thoroughly learnt. The Dragoon Guards spent hours in rehearsals perfecting their choreography whilst the female chorus spent one rehearsal learning plies and courus, causing much hilarity from the less balletic maidens. 

In the mean time sets and costumes were chosen, measurements taken and props ordered. A rather lengthy meeting was spent debating exactly how many centimetres the quills needed to be, and whether a daffodil might not be more aesthetic than a baguette? Stage Manager and Deputy Stage Managers were recruited, as well as Follow Spot operators and Make-up artists. 

In February a brilliant afternoon out was organised by Publicity Officer, Rebecca Ryan. The Principals set out to Taveners Farm and learnt how to milk a cow. Whilst reluctant at first, Patience (Becky Brown) soon got into her stride and one of the Dragoon Guards (Jolyon Drew) managed to procure enough milk for a cup of tea (albeit one that was rather strong). 

But March soon arrived and at 5pm on Monday 5th the Cast, Crew and Orchestra all assembled in the Northcott Theatre for briefings before hastily taking our places for the technical run. The run went smoothly and many cast commented it was the quickest tech run they could remember. Tuesday afternoon bought the Dress Rehearsal and all were very excited backstage at the prospect of performing, but it was a nervous cast who arrived for warm up before the evening performance.

We needn’t have worried, the first night went off without a hitch and Patience was very well received by the audience. The performances got better and better throughout the week and by Saturday Night, helped by a fantastic audience, we performed one of the best shows in recent years! 

EUGnS would like to thank all the cast, orchestra, and crew, as well as everyone who came and supported the show. We could not have done it without you. 

Praise for Patience

“We were absolutely blown away by your production of Patience. We expected a great show, as in past years, but our expectations were far exceeded. Taking on two shows in one year was a big thing. Other universities do it and fail but it is remarkable that you have achieved two high quality productions this year which were equally well cast. Trial by Jury was great, especially given the marvellous setting, and you overcame the logistical drawbacks admirably.” 

“The characterisations of all the principals were superb from Patience's accent and wonderfully innocent delivery to your marvellous Bunthorne whose performance was both subtle and clearly delivered...Several seasoned G&S bods in the audience agreed he was the best Bunthorne they'd seen in the best production. Grosvenor was just gorgeous from his fine singing to fine strutting, his duet with Patience was yummy and his duet with Bunthorne lacked nothing. I've never heard The Magnet and the Churn sung better. It's lovely to hear voices develop over the years and Lady Angela sang beautifully, showing that her voice is going to take her far. Her duet with Patience is difficult to bring off but it was neatly done. Patience's songs, though they look simple, are two of the hardest in Sullivan to bring off, the first can sound squeaky and the second morbid. Neither posed no such problems for Becky. The soldiers were hilarious and well drilled, the Colonel coping admirably with the footstamping... Hilarious trio from the three men - well done! Lady Jane gave us a fabulous performance of her song on Saturday - I hope that cello wasn't valuable!”

“Well done Charles [MD] for fielding a fine orchestra. They played wonderfully, never too loud and gave some great colour to the evening. You managed to stop the audience talking during the overture both nights I was there and that's quite a result! The chorus was consistently brilliant throughout, the sound the girls made being particularly thrilling. Their facial expressions when told to think of nothing were great!”

“Wanted to say, again, how brilliant you all were last night! ... Everyone was on top form and I especially loved the lovesick maidens...
you should all be massively proud of yourselves!” 

“Patience was AMAZING! Well done to those involved!” 

“Massive well done to EUGnS for Patience! What a show!

Massive congrats to everyone involved with EUGnS  and Patience what a great show! Good to see the return of a West Country lead after last year's Italian affair”

“I thought PATIENCE was brilliant - well done to everyone involved!”

"Fab night at Exeter Northcott seeing EUGnS doing Patience. Got a front row seat and tried to sing along!”

" I drove home singing 'Sing hey to you, good day to you' at the top of my voice”

“Brilliant show, I would have gone to see it every night if I lived in Exeter.” 

“The whole show was played with great confidence and hilarity which translated into an enthusiasm the audience couldn’t help but catch on to” Review in Expose 

“From the moment the curtain went up there was laughter and the audience did not let up... The story of Patience the milkmaid and her experiences of love was straightforward enough, but nothing could prepare me for three renditions of 'Twenty love-sick maidens we' where I hope it was part of the joke that there were never actually quite twenty of them. With Bethany Lyne as Lady Angela, Tess Dowdeswell as Lady Saphir and Rosie Archer as Lady Ella heading up the group of maidens, they led the way through a range of songs that had some of the funniest facial expressions I've seen on stage.

The movement of both male and female chorus were such that I couldn't help but wonder how they had the discipline in rehearsal to bring it to this standard, no doubt they are all trying not to look at each other through fear somebody will laugh. There's something comforting that even at the end of a run, they still look like they're having fun.

Jonathan Wood as Bunthorne had a great line in deadpan humour that seemed delightfully unaware against Andrew Henley as Grosvenor, who was so self-aware that there was one double take to the audience that watched laugh build on laugh as both men played the crowd in different ways.

For the ladies, there was Rebekah Brown in the title role who mixed a beautiful vocal in song against a wonderful country bumpkin speaking voice to deliver a strong central performance. Alice Massey as Lady Jane was given some of the best material thanks to 'Sad is that woman's lot' being accompanied by her cello with great humour, then later with 'So go to him and say to him'.

My favourite song of the night was 'It's clear that mediaeval art' with Harry Boyd, Rowan Brearley and Ishan Pankhania as Duke, Major and Colonel. Through the course of this one scene these three chaps pulled off a range of amusing positions with only a quill, a flower and each other for support, as the soldiers became poets to the best of their ability.

I'm also now feeling slightly spoiled by the live music at these productions, with a splendid orchestra leading the way here. I understand I've been listening to the trumpet of Tim Spicer across consecutive Saturdays but in very contrasting shows - and a scamper through the programme reveals the Gilbert and Sullivan lovers are from a mixture of disciplines across the University, what a wealth of talent on display. “ Review, Jolyon Tuck

All pictures copyright Thomas A J Smith, 2012

Sunday, 4 March 2012

Patience: Cast in Rehearsal

Our production of Patience opens on Tuesday at the Northcott Theatre in Exeter. 

To get you in the G&S mood here are a few rehearsal shots from the past few weeks. 

Patience, Becky, and Bunthorne, Jonathon, "It will no longer be a duty to love you!"

Colonel, Ishan, singing his solo in "The Soldiers of our Queen"

Warm up with Charlie the MD

Tess, Sally and, Hannah, 3 of our "Love Sick Maidens"

Notes from the Directorial Team, MD (Charlie), Choreographer (Sheena) and, Director (Dettie)

"Bunthorne: Don't be frightened, it's only poetry!"

Matt and Tom, 2 "Soldiers of our Queen"

The Cast of Patience, 2012

Friday, 20 January 2012

And a Good Judge Too

December was a very exciting time for the society as for the first time in our history, EUGnS put on a winter production. Trial By Jury took place in Exeter's Historic Guildhall which provided a very beautiful backdrop to the operetta. The show opened with carols conducted by our MD Charlie Hughes.Then the orchestra struck up and Trial by Jury began.

Ladies of the Public. Picture by Thomas A J Smith

The story of Trial By Jury centres around the Plantiff, Angelina, who is taking Edwin to court for "breach of promise of marriage". After successfully capturing the attention of the Jury, "we love you fondly, and would make you ours" Angelina finally ensnares The Judge. After little progress with the case, "the question Gentlemen is one of liquor...lets make him tipsy" the Judge proclaims that he "will marry her myself" and Angelina and Judge rush off to church.

Ishan Pankhania, as Counsell for Plantiff, tries to convince the Jury. Picture by Thomas A J Smith. 

The director, Dettie Ellerby, and choreographer, Sheena Drainer, did a fantastic job creating a modern twist on the 19th Century operetta. The Judge spent most of the time swigging from his hip flask whilst Angelina and Edwin had a fight mid-song. The arrival of the Bridesmaids in "Comes the Broken Flower" saw four girls battling over the prime spot next to Angelina, trying desperately to keep their dignity in tact. 

Angelina, Judge, Edwin and Counsell contemplate the Trial. Picture by Thomas A J Smith.

The costumes were inspired, as you can probably tell, by ITV's Downton Abbey. The cast did a fabulous job sourcing their own costumes and creating hair that Lady Mary Crawley would be proud of. It was great fun to dress up in swishy long skirts and lace gloves. Even the boys scrubbed up well! 

Trial by Jury from the sky. Picture by Thomas A J Smith.

The next show EUGnS are putting on is Patience, 6-10th March 2012 in Exeter Northcott Theatre and we would love you to come and see it. We will be updating the blog with more EUGnS news soon.

 Happliy Ever After. Picture by Thomas A J Smith

Wednesday, 4 January 2012

"Silence in Court!" (eugns in 2011)

Hello Everyone. We are the Exeter University Gilbert and Sullivan Society and this is our first blog, which means this is our very first post :D
It has been a very exciting year for the society as it is the first time we have produced two shows in one year. March saw us taking to the boards at the Exeter Northcott Theatre (which has been our home since the society began almost 45 years ago) in The Gondoliers. The cast included a number of new students many of whom have joined again this year. For The Gondoliers we were lucky enough to have the photographer Thomas A J Smith on board and most of the pictures on this blog will have been taken by him.
In December we produced our second show Trial by Jury which took place in the historic Exeter Guildhall. The show was on a smaller scale than we usually produce but it was great fun to work on a smaller scale in an intimate venue. The production was inspired by Downton Abbey and we are sure that Lady Mary would be quite jealous of the girls’ costumes!
Our next show, Patience, opens on the 6th of March at Exeter Northcott Theatre. Stay tuned for all the fun and frolics leading up to show week!